Scary Stories

A post from Goodreads came up on Facebook a few days ago: What’s the scariest book you’ve ever read?

I didn’t have to think long at all.

I don’t like being scared.

I don’t like being scared. My mom would never permit anyone to frighten us when we were small, and even when we were teens she did not like it all all when someone scared her kids.

When I was really little, maybe five, The Wizard of Oz movie scared me so much I didn’t want to go to bed by myself. (The Wicked Witch? The Flying Monkeys? I don’t remember, but I was crying for my mom in the dark bedroom.) Soon afterward, television disappeared from  our home forever.

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Photos: Google Images

I didn’t enjoy haunted houses; in fact, I think I visited only one when I was growing up, and maybe there have been two others since I became an adult. I didn’t watch horror movies or read Stephen King books (with the exception of The Green Mile, and that’s a post for another day) because I didn’t enjoy lying awake in my bed at night when everyone else was asleep seeing visions of monsters or murderers coming after me. I hated “thrillers” like Unlawful Entry and Seven with their horrifyingly predictable scenes (predictable in that I knew for sure something was going to make me jump and scream) and and yet I couldn’t stop watching until the end; hypnotized I would be, like the prey of a cobra.

I didn’t enjoy lying awake in my bed at night when everyone else was asleep seeing visions of monsters or murderers coming after me.

So it didn’t take me long to answer the question: What’s the scariest book I’ve ever read?

Elizabeth Peters was one of my favorite authors when I was young and she still is, although her “real” name was Barbara Mertz. She is one of those whose work reinforced my will to become a writer.  The adventures of  Ms. Peters’ feminist heroines entertained me and her writing inspired me to learn, not just about writing but also about Egypt and London and Helen of Troy.

Back in the seventies, before the Amelia Peabody series became such a hit, Ms. Mertz wrote novels under the name Barbara Michaels. Under this pseudonym she addressed spiritualism and the occult and frankly scared the pee out of me. I only remember the one title: The Crying Child.

This was a story (if memory serves) about two sisters, one of whom has recently lost a baby and is suffering from something like PTSD: she is hearing a baby crying in the night. The other sister goes to visit her to try to help her cope, and lo and behold,  she hears it too.

I remember this book not just  because of the horror but because of the research involved in the creation of the story and the way Ms. Mertz/Michaels/Peters used her research in the plot of the novel.

Let me tell you now: I won’t go if it’s scary.  I won’t go to your haunted house. I won’t go see the newest version of It; I never saw the original. I didn’t read the Alex Cross Series; I only watched one of the movies because I am a Morgan Freeman fan (and afterward I wished I hadn’t). I haven’t seen Saw nor the Blair Witch Project nor The Exorcist–the scariest of all, from what I’ve heard.

If you read The Crying Child you may find it tame. That’s okay. It was quite scary enough for me. Scary enough to keep me awake at least one night, and that was enough for me to know that I didn’t want to read any more of Barbara Michaels’ novels.

I’ll hang with Elizabeth Peters and her adventurous, non-haunted heroines.

Cocoa Beach

Finding some good fiction to read is a challenge because of the time I have available for searching. I want to know that what I’m buying is going to be worth the time, not to mention the money.  I subscribed to something called BookBub, which sends me recommendations for ebooks, and the New York Times Review, and I am a member of Goodreads, but with short blocks of free time for researching, these are almost useless to me.

I want to know that what I’m buying is going to be worth the time, not to mention the money.

So since my Amazon Prime Reading recommendation for Cocoa Beach came with a free sample, I could check it out on the bus on the way to school.  I downloaded it and it wasn’t terrible, so I paid the $13.99 for the whole book (by a New York Times Bestseller List author, by the way) and I’m on my way to what I hope will be a satisfying reading experience.

(I’m not going to write a book review, just in case you’re wondering; I’m just going to make a couple of comments.)

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First of all: I love Florida. I have loved it since I was eight years old when I went for the first time. I love movies that are filmed in Florida, I love television series about Florida, I love Karl Hiaasen‘s books. I loved visiting the sister ship to Ernest Hemmingway’s Pilar on Islamorada in the Keys. I loved the mangroves and brought home a mangrove sprout to give to my grandmother. The shrubs that are only houseplants in the rest of the country grow to tree-size there.  The boat rides with my brother through Boca Raton to the Atlantic were idyllic. I love the blue water and white sand vacations with my kids on the Panhandle so much it breaks my heart.

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So a novel about South Florida set in the 1920s? Florida and history! It could be a dream come true!

I’ve read about five chapters of Coco Beach so far, and I am enjoying the way the author switches back and forth between past and present in alternating chapters. I can see the landscapes and settings from her descriptions, some of which are quite fresh. Although her attempts to portray human emotions are more “telling” and less “showing,” I am willing to concede that I understand what is happening in the mind of the protagonist.

But then I begin to see adverbs.

Stephen King (famously) said, in On Writing: A Memoir of the Craft: “The road to Hell is paved with adverbs.”

He also said he can be a good sport about them.

Am I becoming a more discriminating reader or just a pedantic nit-picker?

I can too, I guess . . .  but then when they start to jump out at me, I think maybe I’m on that road.

“Staring at a photograph while the clock just ticks and ticks, ten o’clock drawing inevitably toward eleven.”

How else can ten o’clock reach eleven, except inevitably?

Am I becoming a more discriminating reader or just a pedantic nit-picker?

I put “literary fiction” into the search bar and returned a Goodreads page with a whole bunch of possibilities. I’ve downloaded a couple of samples to read on the bus.

Good reading material comes from unexpected places; one of my students gave me a copy of Isabel Allende’s Daughter of Fortune–it’s so good it breaks my heart, and it’s been translated from Spanish! It doesn’t take place in Florida, but it’s very well-written, and tells its heroine’s story with believable characterization and lots of research into the period.

And the author doesn’t get carried away with adverbs.